Conversations across the plurality of Arts disciplines in Visual Arts Exhibitions
Event details
Date:16th-17th December 2020
Venue: Organised by Solent University, delivered online
Book your free tickets for the 16th of December
Book your free tickets for the 17th of December
Programme Outline
16 Wednesday
9.30 – 10.00 – Welcome and Introduction (Dr. Nicola Foster)
10:00 to 11:00: 3 papers -15 min each, 5 min Q and A
Medium specificity – Chair Dr. Flavia Loscialpo with Laura Leahy
One Medium Through Another: Displacement and Criticism in October | Matthew Bowman | University of Suffolk |
Table for five. | Moncomble Philippine | Architect |
The Plurality of Plasma: BioArt as Translation Medium | Blue Grindrod | Designer, multimedia artist |
11:00 to 11:15 Discussion
11:20- to 12:20 : 3 papers – 15 min each, 5 min Q and A
Activism – performance – Chair Dr. Tom Slevin with Maja Hill and Denise Clark
History, translation and critical dissensus: Exploring the political potential of artist residencies in museums | Alex Reynolds | Poole Museum, Dorset |
One000plateaus: cross-disciplinary happenings and the radical ontology of utopian poetics | Roy Hanney | Solent University |
The activation of performance art works as a translation process | Daniela Felix Martins Bianca Tinoco | University of Brasília(UnB) University of Brasília (UnB) |
12:20 to 12:40 Discussion
14.00 – 15:20: 4 papers 15 min each, 5 min Q and A
Translation across mediums – Dr. Atsu Ito with Matthew Keehan and Emma Justice
Translating from one art to another, Richter’s trans-artistic landscape | Anthi-Danaé Spathoni | Centre Pompidou, Paris |
From Canvas into the Theatre Magritte – The Cloud Man | Zsanett Lengyel | University of Pécs, Hungary |
Abanindranath Tagore’s Khuddur Jatra: a creative adventure at the crossroads of modernity | Rupsa Kundu | Art historian |
Reference, Figurativity, and Performativity: Translational Poetics of Marina Abramović “Seven Easy Pieces | Egri Petra | University of Pécs, Hungary |
15:25 – 15:55 Discussion
16:00 – 17:00
Keynote Speaker
Nicky Marsh
Professor of English Studies
Associate Dean for Research and Enterprise, Faculty of Arts and Humanities
University of Southampton
17 Thursday
10:00 – 11:45 : 5 papers 15 min each, 5 min Q and A
Translating exhibitions – Chair Dr. Nicola Foster with Sylvia Schlegel and Deborah Goatly-Birch
On Translations – a Curatorial Project on confusion and hesitation | Carolina Rito | Coventry University |
Museum and Novel in dialogue: Orhan Pamuk’s The Museum of Innocence | Maja Hill | Solent University |
Layers of translation and transaction between book and exhibition: W. G. Sebald’s The Rings of Saturn and ‘Lines of Sight: Sebald’s East Anglia’ at Norwich Castle Museum | Pat Hurrell | University of Suffolk |
5 min break
Mindful Circulations: Rethinking Curatorial Practice with Benjamin, LeGuin and Césaire | Kerstin Winking | Leiden University, Netherlands |
Restaging as Translation: Reconstructing Palle Nielsen’s ‘The Model- A Model for Qualitative Society’ (1968) | Dudley, Laura E. | University of Leicester & Derby Museums |
11:45 to 12:15 Discussion
14:00 to 15:20 4 papers 15 min each, 5 min Q and A
Translating across literature poetry and art – Chair Dr. Matthew Bowman with Michelle Pocok
A Completed Portrait of Abstract Expressionist Film: An Adaptation of a Poem By Gertrude Stein | Carl Schmitz | Independent art historian |
Lines of transition: Translation in the work of Cy Twombly | Nadine Henrich | Freie Universität Berlin |
Lygia Clark’s Caminhando: Painting, sculpture and participation through the lens of poetry | Andrew Chesher | Chelsea College of Arts, London |
Mario Giacomelli translator | Irene Caravita | Independent Art Historian |
15:20 to 15: 40 Discussion
15:45 to 16.15: 2 papers max 10 min, 5min Q and A
Translation as art practice – Chair Dr. Sebastian Hegarty with India Lawton
“READING… entre les lignes” | Ingrid Cogne | Academy of Fine Arts Vienna |
CatChat: A Translational Enterprise of an Inter-Species Poetic Exchange at a Fictitious Museum | Michal B. Ron, Hannah Bruckmüller, Noa Ginzburg | independent art historian Independent art historian artist |
Concluding Notes